54th International Congress on Medieval Studies, Kalamazoo, MI, May 9 to 12, 2019
Sponsored by the Index of Medieval Art, Princeton University
Encountering Medieval Iconography in the Twenty-First Century: Scholarship, Social Media, and Digital Methods
Organizers: M. Alessia Rossi and Jessica Savage (Index of Medieval Art, Princeton University)
Stemming from the launch of the new database and enhancements of search technology and social media at the Index of Medieval Art, this roundtable addresses the many ways we encounter medieval iconography in the twenty-first century. We invite proposals from emerging scholars and a variety of professionals who are teaching with, blogging about, and cataloguing medieval iconography. This discussion will touch on the different ways we consume and create information with our research, shed light on original approaches, and discover common goals.
Participants in this roundtable will give short introductions (5-7 minutes) on issues relevant to their area of specialization and participate in a discussion on how they use online resources, such as image databases, to incorporate the study of medieval iconography into their teaching, research, and public outreach. Possible questions include: What makes an online collection “teaching-friendly” and accessible for student discovery? How does social media, including Twitter, Facebook, and blogging, make medieval image collections more visible? How do these platforms broaden interest in iconography and connect users to works of art? What are the aims and impact of organizations such as, the Index, the Getty, the INHA, the Warburg, and ICONCLASS, who are working with large stores of medieval art and architecture information? How can we envisage a wider network and discussion of professional practice within this specialized area?
On May 19-20, 2017, international and US Scholars will gather at Princeton to examine the near-intact monastic treasury of San Isidoro in Leon, in northern Spain, as a springing point for larger questions about sumptuary collections and their patrons across Europe and the Mediterranean across the Middle Ages. Topics of inquiry include Islamic law and sumptuary production, Christian manuscripts and metalwork, patronage and royal studies, identity and gender studies, and cultural and political history. The diversity of questions and perspectives addressed by the speakers will shed light on the nature of Leon as a paradigmatic treasury collection, as well as on the broad efficacy of multidisciplinary study for the Middle Ages.
Follow the link below for a full schedule and (free) registration information. We hope to see you there!
The Index is pleased to announce the speakers for two honorary sessions at the International Congress on Medieval Studies to be held at Western Michigan University (Kalamazoo, MI) on May 11-14, 2017.
Organized by Judith Golden and Jessica Savage, Index of Christian Art, Princeton University
Session I: Friday, May 12th at 1:30 p.m. to be held in Sangren 1750
Session II: Friday, May 12th at 3:30 p.m. to be held in Bernhard 106
In Honor of Adelaide Bennett Hagens I: Text-Image Dynamics in Medieval Manuscripts
Presider: Judith H. Oliver, Colgate University, Professor Emerita
This session will examine the interaction between words and images in medieval manuscripts as they shape the reader-viewer’s experience of the book. How do texts and images interact on the page? How did medieval readers respond to the varied discourses between images and texts? This session endeavors to open up new perspectives in describing, analyzing, and contextualizing manuscript illumination according to their intrinsic or peripheral textual elements. Papers in this session will undertake a close study of a particular manuscript and will expand upon theories for image-text composition by reviewing evidence of an artist’s written instructions; reading images with layered text additions, omissions or annotations; and recovering the reader’s experience through text and iconography.
Martha Easton (Seton Hall University)
“Artists and Autonomy: Written Instructions and Preliminary Drawings for the Illuminator in the Huntington Library Legenda aurea (HM 3027)”
Taylor McCall (University of Cambridge)
“Bodies of Words: Text and Image in an Illustrated Anatomical Codex (Bodleian Library, MS Ashmole 399)”
Benjamin C. Tilghman (The Material Collective & Lawrence University)
“A Votive ‘Closing’ in the Claricia Psalter (Walters MS W.26)”
In Honor of Adelaide Bennett Hagens II: Signs of Patronage in Medieval Manuscripts
Presider: M. Alison Stones, University of Pittsburgh, Professor Emerita
This session will examine the varied “visual signatures” of manuscript patrons, including dress, gestures, posture, and attributes of donor figures; heraldry and personalized inscriptions; marginal notes, colophons, dedications, and other signs of ownership and use in medieval manuscripts. Building on scholarship presented in the 2013 Index of Christian Art conference Patronage: Power and Agency in Medieval Art, this session will investigate the dynamic system of patronage centered on the interaction of owners with their books (whether as creator, patron, commissioner, or reader-viewer). Papers will address the importance of gender and social roles in book production, use, and readership, or will expand upon the role of patron as instigator in the book creation process, from payment to design.
Maeve Doyle (Bryn Mawr College)
“How Owner Portraits Work”
Jesús Rodríguez Viejo (University of Edinburgh)
“The Patroness Portrait of the Fécamp Psalter (c. 1180): An Unknown Example of Royal Artistic Commission in Angevin Normandy”
Shannon L. Wearing (University of California, Irvine)
“Patron Portrait as Creation Myth: On ‘Production Scenes’ in Illuminated Manuscripts”
In July 2016, Adelaide Bennett Hagens retired from the Index of Christian Art at Princeton University after fifty years of dedicated research and scholarship. She studied under Robert Branner at Columbia University and joined the Index during the directorship of Rosalie Green. Adelaide has studied medieval art in a variety of media, but her passion at the Index and in her personal research has always been manuscript illumination, particularly of the Gothic period. Her publications include “Some Perspectives on the Origins of Books of Hours in France in the Thirteenth Century,” in Books of Hours Reconsidered, edited by Sandra Hindman and James H. Marrow (2013); “Making Literate Lay Women Visible: Text and Image in French and Flemish Books of Hours, 1220–1320,” in Thresholds of Medieval Visual Culture: Liminal Spaces, edited by Elina Gertsman and Jill Stevenson (2012); and “The Windmill Psalter: The Historiated Letter E of Psalm One,” Journal of the Warburg and Courtauld Institutes 43 (1980). In two sessions, we celebrate Adelaide’s accomplishments and recognize her contributions to the Index of Christian Art and to the wider medieval and academic community.
The Index of Christian Art is sponsoring two sessions in honor of Adelaide Bennett Hagens at the 52nd International Congress on Medieval Studies, University of Western Michigan, Kalamazoo, MI, May 11-14, 2017.
Image & Meaning in Medieval Manuscripts: Sessions in Honor of Adelaide Bennett Hagens
Session I: Text-Image Dynamics in Medieval Manuscripts
Session II: Signs of Patronage in Medieval Manuscripts
Organizers: Judith Golden and Jessica Savage, Index of Christian Art, Princeton University