Studies in Iconography (ISSN 0148-1029) is an annual publication hosted since October 1999 by the Index of Medieval Art at Princeton University in partnership with Medieval Institute Publications. It is dedicated to publishing innovative work on iconography and other aspects of visual culture of the period up to 1600. Past articles have dealt with subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Gothic rent books, Jewish ritual images, and Islamicate stucco ornament. We encourage approaches that include an interdisciplinary, theoretical, or critical perspective and welcome submissions from both established and emerging scholars. Reviews of selected books on iconography and art history are included in every volume.
Articles
Margaret Goehring. “Signs of the City: Seigniorial Power and Vernacular Visual Culture in Two Northern French Rent-Books”
Mati Meyer. “The Rhetoric of Aphrodite in the Byzantine Illuminated Book”
Justin Willson. “Reading with the Evangelists: Portrait, Gesture, and Interpretation in the Byzantine Gospel Book”
David M. Freidenreich and Véronique Plesch. “‘What is That to Us?’: The Eucharistic Liturgy and the Enemies of Christ in the Beam of the Passion”
Renana Bartal. “Text, Textile, Blood: Mary under the Cross in an Illuminated Meditationes Vitae Christi (Oxford, Corpus Christi College, MS 410)”
Louise Marshall. St. Roch and the Angel in Renaissance Art
Reviews
Sherry C. M. Lindquist and Asa Simon Mittman. Medieval Monsters: Terrors, Aliens, Wonders. By Thomas E. A. Dale
Diane J. Reilly. The Cistercian Reform and the Art of the Book in Twelfth-Century France. 216 By James D’Emilio
Denise Borlée and Laurence Terrier Aliferis, eds. Les modèles dans l’art du Moyen Âge (XIIe–XVe siècles). Actes du colloque. Modèles supposés, modèles repérés: leurs usages dans l’art gothique, Université de Genève (3–5 November 2016) = Models in the Art of the Middle Ages (12th–15th Centuries). Conference Proceedings. Supposed Models, Identified Models: Their Uses in Gothic Art, University of Geneva (3–5 November 2016). By Sonja Drimmer
Philippe Despoix and Jillian Tomm, eds. Raymond Klibansky and the Warburg Library Network: Intellectual Peregrinations from Hamburg to London and Montreal. By Karen Lang
Rachel Moss, Felicity O’Mahony and Jane Maxwell, eds. An Insular Odyssey: Manuscript Culture in Early Christian Ireland and Beyond. By Carol Neuman de Vegvar
Renana Bartal. Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts; and Richard K. Emmerson. Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts. By Alexa Sand
Jeffrey F. Hamburger, Robert Suckale, and Gude Suckale-Redlefsen, eds. Painting the Page in the Age of Print. By Larry Silver and Debra Cashion
Alessia Bauer, Elise Kleivane, and Terje Spurkland, eds. Epigraphy in an Intermedial Context. By Nancy L. Wicker
Diliana Angelova, University of California at Berkeley
Pamela A. Patton, Princeton University
Kirk Ambrose, University of Colorado, Boulder
Annemarie Weyl Carr, Southern Methodist University (2021)
Mark Cruse, Arizona State University (2021)
Blake de Maria, Santa Clara University (2022)
María Judith Feliciano, Independent Scholar and Director, Medieval Textiles in Iberia and the Mediterranean (2023)
Elina Gertsman, Case Western Reserve University (2021)
Beatrice Kitzinger, Princeton University (2023)
Eva Hoffman, Tufts University (2021)
Katrin Kogman-Appel, Westfälische Wilhelms-Universität, Münster (2021)
Debra Higgs Strickland, University of Glasgow (2022)
Thelma Thomas, Institute of Fine Arts, New York University (2023)
For information about pricing, subscriptions, or back issues please consult https://wmich.edu/medievalpublications/journals/iconography.
Submissions for publication in the journal are welcome and should be sent as digital files to Fiona Barrett, fionab@princeton.edu.
