A Cross-Disciplinary Approach to Visual Culture Before 1600
Studies in Iconography (ISSN 0148-1029) is an annual publication housed at the Index of Medieval Art at Princeton University since October 1999. It is dedicated to publishing innovative work on iconography and other aspects of visual culture of the period up to 1600. Past articles have dealt with subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Jewish ritual images, and the iconography of Raphael. These topics are approached from an interdisciplinary, theoretical, or critical perspective by a range of established and emerging scholars. Reviews of published studies in iconography and art history are included in every volume.
Contents of the Most Recent Journal: Volume 40 (2019)
Articles
Dennis Trout. Pictures with Words: Reading the Apse Mosaic of S. Agnese f.l.m. (Rome)
Lucy Freeman Sandler. Pictorial Typology and the Miniatures of the Peterborough Psalter in Brussels
Patricia Blessing. Weaving on the Wall: Architecture and Textiles at the Monastery of Las Huelgas in Burgos
Theresa Flanigan. Mona Lisa’s Smile: Interpreting Emotion in Renaissance Female Portraits
Meryl Bailey. Charity as Act and Allegory in Venetian Art
Reviews
Thomas Mathews with Norman E. Muller. The Dawn of Christian Art in Panel Paintings and Icons (published simultaneously in Italy as Alle origini delle icone), and Jean Michel Spieser. Images du Christ: Des catacombes aux lendemains de l’iconoclasme. By Diliana Angelova
Heidi C. Gearhart. Theophilus and the Theory and Practice of Medieval Art. By Vincent Debiais
David Stern. The Jewish Bible: A Material History. By Marc Michael Epstein
Shira Brisman. Albrecht Dürer and the Epistolary Mode of Address. By Hannah J. Friedman
Renana Bartal, Neta Bodner, and Bianca Kühnel, eds. Natural Materials of the Holy Land and the Visual Translation of Place, 500–1500, and Sharon E. J. Gerstel. Rural Lives and Landscapes in Late Medieval Byzantium: Art, Archaeology, and Ethnography. By Maria Georgopoulou
Colum Hourihane, ed. The Routledge Companion to Medieval Iconography. By Gerald B. Guest
Benjamin Anderson. Cosmos and Community in Early Medieval Art, and Eric M. Ramírez-Weaver. A Saving Science: Capturing the Heavens in Carolingian Manuscripts. By Danielle E. Joyner
Grażyna Jurkowlaniec, Ika Matyjaszkiewicz, and Zuzanna Sarnecka, eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. By Sherry Lindquist
Studies in Iconography Board
| EDITORS | |
| Richard K. Emmerson | Florida State University |
| Pamela A. Patton | Princeton University |
| Kathryn A. Smith | New York University |
| BOOK REVIEW EDITOR | |
| Kirk Ambrose | University of Colorado, Boulder |
| EDITORIAL ADVISORY BOARD | |
| Charles Barber | Princeton University |
| Annemarie Weyl Carr | Southern Methodist University, Emerita |
| William Diebold | Reed College |
| Elina Gertsman | Case Western Reserve University |
| Eva Hoffman | Tufts University |
| Katrin Kogman-Appel | Ben Gurion University of the Negev and Westfälische Wilhelms-Universität, Münster |
| Mitchell Merback | The Johns Hopkins University |
| Beth Williamson | University of Bristol |
| Mark Cruse | Arizona State University |
| Eric Palazzo | Université de Poitiers |
Subscriptions
For information about pricing, subscriptions, or back issues please consult https://wmich.edu/medievalpublications/journals/iconography.
Submissions
Submissions for publication in the journal are welcome and should be sent as digital files to Fiona Barrett, fionab@princeton.edu.