Index of Medieval Art

Save the Date for the Fall 2023 Conference at the Index of Medieval Art: “Whose East?”

A depiction of the world as a disk surrounded by water, subdivided into three parts labeled ASIA, EUROPIA, and AFRICA
T-O map from Gregorio Dati’s La sfera (New York, Morgan Library, MS M.721, fol. 14v).

Please save the date for the next Index of Medieval Art conference, “Whose East? Defining, Challenging, and Exploring Eastern Christian Art” on November 11, 2023.

This conference asks how the concept of “the East” has shaped perceptions of Eastern Christianity generally and Eastern Christian Art more specifically, in Euro-American scholarship as well as in the popular view. Building on or dismantling such historical divisions as Western/Eastern Roman Empire, Latin/Orthodox, or simply East/West, speakers will explore what “East” and “East Christian” mean, how the boundaries of these concepts changed over time, and where exactly are the edges of the geographic, political, and religious “East.” This conference will offer a new understanding of the eastern Christian world by examining its cultural production in its own right and demonstrating that its rich, complex, and significant artistic production was not at the periphery of somewhere else, but rather at the center of an interconnected world.

The conference will focus on the regions of medieval Syria, the Caucasus, and Eastern Europe. These territories are often neglected in medieval and early modern scholarship as regions that are merely “East” of somewhere more important. The material culture produced in the regions “east” of Western Europe—such as modern-day Ukraine, Serbia or Romania, to mention only a few—has for a long time been considered of “lesser” value or importance compared to France or Italy; the Caucasus is often considered only in relation to Byzantium; and art produced in Armenia, Georgia and Anatolia has often been discussed in terms of a center/periphery dichotomy. Rarely is the visual production of these areas allowed to speak for itself.

Speakers will include:

Anthi Andronikou (University of St Andrews)

Breaking Free from Bias: Eastern Christian Art between the Islamic and Western Worlds

Jelena Bogdanović (Vanderbilt University)

On Theory and Architecture in the Medieval Balkans

Jana Gajdošová (Sam Fogg)

Byzantium and the Court of Emperor Charles IV in Prague

Gohar Grigoryan (University of Fribourg)

The East-West Paradigm in HighMedieval Armenia: The Evidence of Polemical Writings and Visual Sources

Christian Raffensperger (Wittenberg University)

A Third Category: Rus in History and Art

Erik Thunø (Rutgers University)

Nobody’s East: The Interconnected World of South Caucasian Cross Steles

Tolga Uyar (Nevsehir Haci Bektas Veli University)

Thirteenth-Century Monumental Painting in Cappadocia: The Artistic Bonds between Byzantium, Seljuk Rūm, and Eastern Mediterranean World

Margarita Vulgaropoulou (Ruhr-Universität Bochum)

Whose Adriatic? Blurring theBoundaries of East and West in the Artistic Production of the Late Medieval and Early Modern Adriatic

Respondents:

Antony Eastmond (Courtauld Institute of Art)

Mirela Ivanova (University of Sheffield)

The conference will be hosted in person as well as live-streamed. The conference schedule, location details, and live stream registration link will be posted in September.