April 8-9, 2005
Susan Auth
The Newark Museum
An Intarsia Glass Panel of Thomas and the Cross: Egyptian and Roman Interaction in the Late Antique
Annemarie Weyl Carr
Southern Methodist University
Faiths and Forms in a Monastic Church on Cyprus: The Frescoes of St. Herakleidios, Kalopanagiotis
Anthony Cutler
Penn State University
Marital Difficulties? Latin Text and Eastern Imagery in the Ottonian Heiratsurkunde at Wolfenbüttel
Erica Cruikshank Dodd
University of Victoria
Sources from Outremer in the Development of Western Medieval Art
Lois Drewer
Princeton University
Demonstration of the Index of Christian Art Internet Database
Jaroslav Folda
University of North Carolina at Chapel Hill
Eurasian Artistic Contacts, 1250-1300: Crusaders, Mongols and Mamluks
Marilyn Heldman
University of Missouri–St. Louis
Innovation and East/West Exchange in Ethiopian Painting
Lucy-Anne Hunt
Manchester Metropolitan University
Interconnections: An Aspect of Christian Art in Egypt between the 12th-14th Centuries
Mat Immerzeel
Leiden University
Oriental Saints and Crusader Banners. Evidence for Icon Painting in Tripoli of the 13th Century
Karel Innemee
Leiden University
Looking East and West – Devotional Images in Private and Liturgical Context, Comparisons and Contrasts
Adeline Jeudy
Université Paris 1 Panthéon-Sorbonne
Coptic Liturgical Furniture in its Medieval Context: The Iconography of Woodcarvings
Catherine Jolivet-Levy
Université Paris 1 Panthéon-Sorbonne
A New Ivory Diptych and Two Related Pieces
Irma Karaulashvili
Princeton University
The Abgar Legend Illustrated: Interrelation of the Narrative Cycles and Iconography in the Byzantine, Georgian, and Latin Traditions
Michele Piccirillo
Studium Biblicum Franciscanum
Mosaic Floors of Jordan: A Rich Classical Iconography from the Sixth to the Eighth Centuries
Gertrud Van Loon
Leiden University
The Virgin Mary and the Midwife Salomé. The so-called Nativity-scene in the Monastery of Apa Apollo in Bawit (Chapel LI)
