October 28-29, 1997
Adelaide Bennett
Princeton University
A Woman’s Power of Prayer Versus the Devil in a Book of Hours of circa 1300.
Hans Brandhorst
Universiteit Utrecht
ICONCLASS and the Outside World
Hans Brandhorst
Universiteit Utrecht
The Iconographic Comparison of Miniature Cycles, A Case Study
Michael Curschmann
Princeton University
On the Iconography of Vernacular Speech in 12th and 13th Century Manuscripts
James D’Emilio
University of South Florida
Looking Eastwards; The Story of Noe at Monreale Cathedral
John Fleming
Princeton University
The Personal Appropriation of Iconographic Forms: Two Franciscan Signatures
Jaroslav Folda
University of North Carolina at Chapel Hill
Problems in the Iconography of the Art of the Crusaders
Eileen Fry
Indiana University
Admittance to Mecca – A Non-Specialist
Cynthia Hahn
Florida State University
Iconography of Intertextuality? Reliquaries of Limoges
Debra Hassig
University of Oklahoma
The Iconography of Rejection: Jews and Other Monstrous Races
Avril Henry
University of Exeter
Daring Conflation? A Difficult Image in the Genesis Sequence of the Eton Roundels (Eton College MS.177.f.2r)
Lutz Heusinger
Bildarchiv Foto Marburg
How to Improve Art Historical Standards
Marco Lattanzi
Ministero per I Beni Culturali e Ambientali, ICCD
The ICCD Project of the Italian Version of ICONCLASS
William Noel
The Walters Art Museum
The Visual Syntax of the Utrecht Psalter
Helene Roberts
Dartmouth College
The Precedent Behind Every Action, Its Invisible, Ever Present Lining
Alison Stones
University of Pittsburgh
Nipples, Entrails, Severed Heads and Skin; Devotional Pictures for Madame Marie on the Franco-German border in the late 13th Century
Carol Togneri
Getty Research Institute
ICONCLASS and its Application to Primary Documents
Jurgen Van Den Berg
Universiteit Utrecht
ICONCLASS: The New Browser, Interface and System
Peter Van Huisstede
Universiteit Utrecht
ICONCLASS as an Indexing Tool
Ger Vellekoop
Universiteit Utrecht
Multi-Lingual ICONCLASS – Translating the ICONCLASS System