42966
Opus Anglicanum: The Evelyn Thomas Database of Medieval English Embroidery
Christie No.: 92
United States, New York, New York, Metropolitan Museum of Art
second quarter 14c.
Diagram
Chichester-Constable Chasuble.
Original cope reshaped as chasuble; other parts of the original were used to make a stole and a maniple.
Christie, A., "Unknown English Medieval Chasuble," Burlington Magazine, LI (1927), pp. 285-292; pls. I-II
Morris, F., "Mediaeval Vestment," Metropolitan Museum of Art Bulletin, XXII (1927), pp. 300-310; figs. 1, 3-7
Christie, A., English Medieval Embroidery (1938), pp. 172-175 (no. 92); pls. CXXXI-CXXXIV; figs. 138-141
Rorimer, J., & Forsyth, W., "Medieval Galleries," Metropolitan Museum of Art Bulletin, n. s., XII (1953-1954), p. 128; fig. b p. 138
Rickert, M., Painting in Britain: The Middle Ages (1954), pp. 152-153
London, Victoria and Albert Museum, Opus Anglicanum (1963), p. 39 (78); pl. 16
Husband, T., "Ecclesiastical Vestments of the Middle Ages," Metropolitan Museum of Art Bulletin, n.s., XXIX (1970-1971), p. 286; frontispiece
Young, B., "Opus Anglicanum," Metropolitan Museum of Art Bulletin, n.s., XXIX (1970-1971), pp. 291, 293, 296-297; figs. 1-3, 5, 8, 13
London, Royal Academy of Arts, Age of Chivalry (1987), cat. 577; p. 457; color figure
Staniland, K., Embroiderers (1991), p. 15; figs. 10, 18
Ward, S., "Saints in Split Stitch: Representations of Saints in Opus Anglicanum Vestments," Medieval Clothing and Textiles, III (2007), p. 46; fig. 3.4
Synge, L., Art of embroidery: history of style and technique (2001), p. 49; fig. 46